BBHin Day 56: Diwali Mela for the Gharwaales!

A 6 star for keeping us hooked, -4 stars for predictable scenes, dialogues.

Thama: An Ambitious Yet Uneven Cinematic Leap. - itsbymayank LouteriyaJr

Another movie in chain of Stree and Bhediya

13th: Some Lessons Aren't Taught in Classrooms

13th: Some Lessons Aren't Taught in Classrooms (2025)

Kajol and Twinkle Khanna in Two Much with Kajol and Twinkle (2025)

Tamizh Prabha, Bhagyashri Borse, Prashanth Potluri, Sri Harsha Rameshwaram, Rana Daggubati, Samuthirakani, Dulquer Salmaan, and Selvamani Selvaraj in Kaantha (2025)

Harshvardhan Rane and Sonam Bajwa in Ek Deewane Ki Deewaniyat (2025)

Arshad Warsi and Jitendra Kumar in Bhagwat Chapter One: Raakshas (2025)

Two destined lovers battle supernatural forces, family ties, and nature itself to defend their forbidden romance in a mystical world where ancient powers and prophecies threaten to keep them apart.

Thamma

The movie is good, indeed it starts with a story, a cultural cinematography which includes scenes which make you grab your attention to the screen, but slowly: 
* the movie scenes becomes predictable,
* the punches in the dialogues become adapted from reels, and viral cheap content (if they had to take punches from viral reels from common people only, why they&apos;re spending Rs150 cr. On making these movies, where is their own peak cinematic creativity).


Like, 
* We don&apos;t even remember Aayushmann&apos;s character name but his surname (as his father keeps calling him by, Goyal after each time he calls him from his name)
* We know what would happen to Aayshmann in the interval scene where his car meets with an accident, and how he&apos;d become a Vampire,
* We know few dialogues before they even speak them,


They could not do justice with Nawazuddin Siddiqui &apos;s villian character, he has played more intense villain roles in Salman Khan&apos;s movies, I still remember his dialogue from a other movie - &quot;Main takk se maut ko chhu kar waapas aa sakta hoon&quot; from Kick, that being a mass movie.

In this movie, they&apos;ve just used Nawaz to just make the movie look a bit interesting, but he has no such role to play, other than being jailed and when freed, ending up take a beating from the Hero.

So, I&apos;d give this movie 1 star more than 5 = 6 stars.

Official Trailer - Thamma

https://m.media-amazon.com/images/M/MV5BOGYzZDk3NGQtZjkyMi00ZjQ4LWI0ZWEtNmZlYzQwZDEzMjU2XkEyXkFqcGdeQWNhbGRlcmRl._V1_.jpg

The movie is good, indeed it starts with a story, a cultural cinematography which includes scenes which make you grab your attention to the screen, but slowly: 
* the movie scenes becomes predictable,
* the punches in the dialogues become adapted from reels, and viral cheap content (if they had to take punches from viral reels from common people only, why they're spending Rs150 cr. On making these movies, where is their own peak cinematic creativity).


Like, 
* We don't even remember Aayushmann's character name but his surname (as his father keeps calling him by, Goyal after each time he calls him from his name)
* We know what would happen to Aayshmann in the interval scene where his car meets with an accident, and how he'd become a Vampire,
* We know few dialogues before they even speak them,


They could not do justice with Nawazuddin Siddiqui 's villian character, he has played more intense villain roles in Salman Khan's movies, I still remember his dialogue from a other movie - "Main takk se maut ko chhu kar waapas aa sakta hoon" from Kick, that being a mass movie.

In this movie, they've just used Nawaz to just make the movie look a bit interesting, but he has no such role to play, other than being jailed and when freed, ending up take a beating from the Hero.

So, I'd give this movie 1 star more than 5 = 6 stars.

iBomma

Thamma

Synopsis: